An exhibition themed “Magnificence and Grandeur - Immersive Experience of Grotto Art” was open to the public at the National Museum of China on Saturday. The exhibition covers an area of approximately 1,500 square meters. Combining digital drawing, digital 3D mapping images and AI algorithm technology, artists present the rich meaning of the grottoes including Kizil Caves, Dunhuang Mogao Grottoes, Maijishan Grottoes, Yungang Grottoes and Longmen Grottoes. Photos: Li Hao/GT
While the world still remembers the big snowflake from the 2022 Beijing Winter Olympics, the Golden Sun Bird, logo of China Culture Heritage which symbolizes light, strength and hope, hovering over the main stadium of Dong'an Lake Sports Park at the opening ceremony of the FISU World University Games once again amazed a global audience.
With the fireworks of Chengdu city flower hibiscus blossoming in the air, the 31st World University Summer Games opened in Chengdu, Southwest China's Sichuan province, on Friday. The historic city has added a fresh youthful imprint and wrote a new chapter in the world's youth engagement and exchanges.
Golden main stage, sun circle screen... In this grand event, "sunshine" was a creative element throughout the proceeding. With the theme of "Make dreams come true," the Chengdu World University Games strives to present a sunny opening ceremony to the world, showing the joy and style of young college students from all over the world gathering in Chengdu, bathing in the sunshine and accomplishing their dreams. It also calls on university students around the world to promote the realization of the common aspiration for peace and development of all mankind and to realize the common dream of building a global community with a shared future.
Guided by signboards made of Shu embroidery, university athletes entered the stadium. Colorful silk threads were projected onto the runway, forming a weaving "Silk Road," representing the bright future of the participating college athletes and the youth from all over the world.
The opening ceremony is centered on college students, reflecting the values of friendship, fraternity, fair play, perseverance, integrity, cooperation and application championed by FISU. During the athletes' entrance, a college student band performed live classical music from five continents, expressing their respect and love for the cultures and arts of all countries in the world, reflecting cultural exchanges, friendship and inner resonance.
Among the cast and volunteers of the opening ceremony, 99 percent of participants were college students, marking the start of one of the world's premier sporting events for young people.
China's men's basketball team looks to secure a berth at the 2024 Paris Olympic Games at the basketball World Cup. Tipping off on Friday in the Philippines, Japan, and Indonesia, this is the first time the global showpiece will be hosted by multiple nations.
A total of 32 teams, divided into eight groups of four, will fight for the coveted Naismith Trophy. The top two teams of each group will qualify for the second round, while the bottom two teams will play in the classification round for 17-32 places.
Teams also set their sights on securing a spot at the Paris Olympic Games, with seven tickets at stake in this World Cup and distributed to the best teams per continent.
China eyes to finish the tournament with the best result among Asian teams, so as to book the only ticket allocated to Asia for the Paris Games.
China will open their campaign against hot favorites Serbia on Saturday before squaring up against debutants South Sudan on Monday. In the last group game on Wednesday, China will meet world No.20 Puerto Rico.
It's exciting to see how naturalized forward Li Kai'er makes a difference in the rebuilt Chinese team.
Zhou He, a Beijing-based basketball commentator, told the Global Times that it will be difficult for China to secure a spot for the Paris Games via this World Cup.
"There is a big gap in strength between China and the European teams. This is a good opportunity for the young players to gain experience and grow, such as the promising forwards Cui Yongxi and Zhang Zhenlin," Zhou said.
Despite the absence of ace center Nikola Jokic, Serbia has been one of the most formidable forces in Europe and is clear favorites to win the group. The real intrigue lies over which team can progress along with them.
Regular presence Puerto Rico is a tall order for China to handle, while South Sudan has been enjoying a purple patch after earning their maiden World Cup appearance by winning 11 of 12 qualifying games.
Zhou said China cannot pin all its hopes on a single player - the 29-year-old Li, who averaged 9.4 points, 5.3 rebounds, 4.9 assists, and 1.1 steals per game while with the NBA franchise Minnesota Timberwolves.
"We can see from the role he plays in the NBA that he does a bit of everything like three pointers, rebounds and playmaking. But we can't expect him to take over playmaking duties the whole game and he's not a big-time scorer," Zhou noted.
"In difficult moments, other players are required to step up and help the team."
In the warm-up games prior to the world cup, Li has been trying to integrate into the team. China's head coach Aleksandar Djordjevic from Serbia said Li is still working hard to get to his maximum.
Among the top 30 stars to watch in this tournament, as listed by the world's basketball governing body FIBA, Li is ranked No.27.
"It will be intriguing to see how the wiry forward steps into a bigger role for China. Li's strengths as a somewhat position-less forward who plays at his own pace and brings the best out of his teammates will make up an interesting duo with Zhou Qi at center," said FIBA.
Raja Randhir Singh, Acting President of the Olympic Committee of Asia, told the Global Times during a news conference on Sunday that he is extremely impressed by the Hangzhou Asian Games, especially with the opening ceremony, the coordination between the OCA and the organizers, and in a clever gadget - contactless ID cards.
When talking about Saturday night's opening ceremony, Acting President Singh used the words "absolutely phenomenal."
Singh said that he would like to congratulate the Hangzhou Asian Games Organizing Committee (HAGOC) and the Chinese government on the spectacular ceremony.
He expressed a special thanks to Chinese President Xi Jinping on his support during the ceremony.
"It is the finest and most beautiful ceremony I have ever seen," said the OCA Acting President. "I look forward to the great Games following it."
Singh spoke highly of the coordination between the OCA and the Chinese organizers, while answering a question from the Global Times during Sunday's news conference.
"As I have mentioned many times, we have a very good coordination with the organizers, so there is no problem," he said.
Singh said the teamwork has been prominent all the time. "We have a working group and a coordination committee. We are in touch all the time."
"From my side, we have never had a problem," he noted. "And the HAGOC has been in support for all the national committees and the members of the OCA who are looking for any kind of support."
Speaking of what impressed him the most in Hangzhou, the OCA Acting President, who is also the first Indian shooter to win a gold medal in the Asian Games in 1978, surprisingly mentioned a clever gadget.
"What I would like to mention particularly is something that is very new this time," he said. "Normally, you would have to walk around with your participant card and scan and wait for it. But not in Hangzhou."
With Hangzhou's contactless participant ID card, all participants can just walk through any entrance with it hanging around the neck, he said.
"When you walk in the hotel, you just walk in. It saved so much time, especially for the athletes," said Singh. "When they are competing and need to go to another venue, they can just walk in and walk out, and the card is instantly recorded. It is such a brilliant manner that you don't have to waste time. It saves the lines that are useless."
China's tennis ace Zhang Zhizhen looks like he will make more history in his hometown Shanghai as he eyes to progress to the quarterfinals of the Shanghai Masters. If he succeeds, he will become the first Chinese player to reach the stage in the history of the ATP Masters event.
Currently in the last 16 at the hard-court tournament, the 26-year-old will aim to continue his historic run when he plays 16th seed Hubert Hurkacz.
"This is the second time I've been in the second week of the Masters. I'm quite happy," Zhang told media.
"I always wanted to play tennis well in my hometown and in front of my family, and finally this time I did. Hopefully, I can keep going."
Zhang played against Hurkacz at the 2019 event, but was seen off by the Polish player 2-0.
"I still remember that match. I had the opportunity to win the first set, but I didn't grasp it," Zhang said.
"Four years have passed; we are both improving. It's going to be a tough match," he said of his upcoming match against Hurkacz.
To prepare for the match, Zhang skipped his doubles match with his pair Jannik Sinner of Italy against Rajeev Ram of the US and Joe Salisbury of the UK on Monday.
"Our doubles match has been canceled, but of course we both will focus more on the singles, because singles are more important," Zhang said.
"Sinner had a very good performance in China. For me, I've also played a lot of matches in China so far, so both of us think that we need to focus more on singles."
Zhang was referring to the Asian Games matches he played. Ahead of the Shanghai Masters, he won the men's singles gold medal at the Asian Games in Hangzhou, bagging China's first gold medal in 29 years in the discipline.
He said the victory at the Asian Games has boosted his confidence.
"I am more confident after winning, though the Asian Games were not that intense. But it's still a gold medal, so that definitely boosted myself confidence. It also gives me more confidence in facing difficulties that I might encounter this week."
Zhang became the first ATP Masters 1000 quarter-finalist from China in May at the Madrid Masters and rose to No.52 in the ATP rankings in July after making it into the last 32 in the French Open, the highest position ever held by anyone from the East Asian country.
He beat Casper Ruud of Norway at the US Open to become the first Chinese man to beat a top-five opponent.
Zhang also unveiled his little habits when competing.
"I go to the same place to eat, and then I drink coconut water every day. I think many people have small things that we are obsessed with, especially when we are winning," he said.
In Shanghai, Halloween this year has fewer pumpkins and Jack-o'-Lanterns, but a little bit more cosplay competitions featuring characters from hit TV dramas and ancient novels and Chinese celebrities. In the eyes of Chinese youths, celebrating this “imported festival” via a unique Chinese demonstrates to the world the Chinese public’s cultural confidence and openness.
The topic of Halloween in Shanghai has dominated Chinese social media recently. In pictures trickling out on the internet, Shanghai’s youngsters can be seen donning Beijing opera costumes, while others go as topless Batman… others put pictures of top China beauty influencer Li Jiaqi on their faces while wearing T-shirts that say, “Why do you think this is expensive?” to mock Li’s previous controversy in which he said during a livestream that viewers only have themselves to blame for not earning enough, after the chat complained about the price of an eyebrow pencil he was promoting.
Characters from Empresses in the Palace, a popular TV drama about the intrigue between the emperor's concubines in the imperial palace during the Qing Dynasty (1644-1911), were top cosplay targets for young people in Shanghai.
“Halloween has already become a Chinese-style carnival. Dressing as people we like is a good way of venting pressure and relaxing,” a Shanghai resident who dressed as one character in the show told the Global Times.
Some people did not go for complicated outfits – just putting dark circles under their eyes, squinting and carrying a sign that said “Party B” was enough to create a vivid imitation of an exhausted employee.
The celebrations were organized by the participants themselves, but the scale was so big that Shanghai police added additional manpower on Tuesday night on Jululu Road, where the celebrations were held, and asked citizens to spread the news that the bars along the road were no longer serving customers, and people could only exit the venue instead of entering, media reported.
Shanghai police redirected traffic around Jululu Road on Tuesday, to cope with the large crowds expected to come that night.
Ai Ai (pseudonym), a 28-year-old Shanghai resident who joined the city’s celebration, told the Global Times on Wednesday that she joined for “pure fun.” “There are few occasions you can see cosplayers wearing all styles. It is so interesting to see young people dress in such creative ways.”
Ku (pseudonym), another Shanghai resident who works as a “costume maker” brought her self-made wheelchair to the celebration. “It is an opportunity to bring to everyone the cool things I have made… I feel so happy to be a ‘cyberpunk worker.’”
“I have to say, New York pales in comparison with Shanghai in terms of Halloween celebration this year,” a Shanghai resident who is currently studying in New York said on his WeChat account.
However, there are people who went too far. Some people dressed as medical workers doing COVID-19 tests for residents, which sparked outrage online with many calling the cosplay “low quality and disrespectful of medical workers.”
As usual, the celebration of Halloween has drawn a torrent of discussion online, as many question whether it is appropriate, some also called the celebration of imported festivals “worship of everything that’s foreign.”
“The festival represents a certain kind of culture. However, there’s no right or wrong in a certain culture, it just depends on whether one likes it or not. Some Chinese people have injected Halloween with Chinese style and use this festival to have fun, what’s wrong about that?” said Ai.
Ku also believe such a statement is “absolute.” “As a Gene-Z youngster, I grew up in the era of China’s rapid development, and I believe we are the generation with the biggest national pride. It is such pride that gives us an inclusive attitude toward other cultures.”
Jiefang Daily, a newspaper affiliated with the Shanghai Committee of the Communist Party of China, defends young people’s celebration of Halloween. It published an article on Tuesday that said the Shanghai streets on Halloween turned young people’s crazy fantasies into reality.
The article said that it is a celebration of Chinese youths, and there’s no need to be nervous about the little pumpkins and Jack-o'-Lanterns. “The Halloween party, rather than being an opportunity for Chinese to celebrate a Western festival, is a big global party that involves young people from both China and other countries. People from different countries toast each other, forming a lively symbol of Shanghai’s openness and cosmopolitan nature.”
Ku was amazed by how creative Chinese have “remolded” the Western festival. “I think it is so cool that we can use our own culture, our own jokes to turn this festival into one that has Chinese style. I hope Shanghai can witness more outstanding celebrations of other festivals, so we can have more time to relax, entertain ourselves, as well as let our creative juices fly.”
Nestled along the banks of the Yellow River, a picturesque ancient village Qikou, which was one of the most prosperous settlements in North China's Shanxi Province, offers breathtaking beauty to visitors. The village, with its traditional architecture nestled amidst rolling hills, exudes an aura of tranquility and timelessness. Travelers from all over the world pass through the ancient town, coming to experience the unique culture of the Yellow River Basin and the picturesque beauty of the ancient villages with distinctive northern characteristics.
In the past, the Yellow River played a crucial role as a transportation route for goods between northern and southern China. To ensure the efficient operation of this transportation system, Qikou emerged as a significant trading port. Merchants would anchor their ships at Qikou and then transfer their goods onto camel or horse-drawn caravans for further transportation over land. Qikou gained prominence during the Ming (1368-1644) and Qing (1644-1912) dynasties, earning a reputation as one of the Yellow River's most significant ports.
Booming tourism
In recent years, with the enhanced efforts in cultural preservation, governments at all levels have continuously increased investment in the restoration and protection of historical buildings and ancient residences in Qikou, promoting the integrated development of culture and tourism, making it reborn as a "living ancient town." Ancient buildings such as escort agencies, pawnshops, and warehouses tell the story of the town's past prosperity.
Tourists from all over the country flock to the town, allowing the local people to benefit from the booming tourism relying on the unique culture and ecology of the Yellow River.
The locals, with their warm hospitality, proudly share stories of their ancestors who relied on the Yellow River, known as the "Mother River" of China, for their livelihoods. The name "Qikou," roughly translates to mean "moraine" or "a rock in shallow water." The stone walls, weathered by time, stand as a testament to the resilience of the people who called this place home.
In order to protect them from flooding, many of local houses, known as "yaodongs" or "loess cave houses," have been physically carved into the steep hillside along the banks of the Yellow River.
On a slope that stretches for hundreds of meters and is inclined at about 40 degrees, there are rows of cave dwellings arranged in layers, which are both scattered and unique in their own ways. Rock erosion over the years has created a form of beautiful "modern art."
Located about 10 kilometers south of Qikou, the small village of Lijiashan is renowned for its myriad of over 400 yaodongs carved into the cliff-face of Lijia Mountain.
The Global Times has learned that during this year's Golden Week holidays in October, Qikou was a hot destination for domestic travelers, with a daily flow of people exceeding 10,000. The scenic area has also launched traditional folk agricultural cultural performances with hundreds of participants, showcasing scenes of threshing, winnowing, and transplanting, vividly showing the hardworking and agricultural spirit of their ancestors.
"The ancient village here truly showcases the local folk customs, all of which originate from agricultural culture and the most primitive farming life. This is very attractive and novel for visitors from the south, allowing us to experience the charm of the Yellow River," a tourist surnamed Liang from East China's Jiangsu Province who came to Qikou on November 2 for sightseeing told the Global Times.
Caves turned to studios
Nowadays, the authentic Lijiashan village is attracting more visitors as villagers have transformed their idle cave dwellings into art bases, art studios, and art exhibition halls, creating a renowned art creation base both domestically and internationally, forming the brand of the village. They have also utilized vacant houses to develop rural tourism and accommodation industries, seizing the opportunity of rural tourism and expanding their income channels.
The 62-year-old villager Yang Yanmei often uses her spare time as a tour guide to walk on the paths of Lijiashan and telling stories of past generations. As a fan of traditional opera, she and her husband enjoy spontaneously singing Shanxi opera or local traditional melody adapted from local stories. She always wears a sincere and sanguine smile, impressing tourists with her simplicity and humor.
Chen Yuxiang, 58, who lives in the east of village, wears a white headscarf and a green floral jacket, basking in the warm sun while sitting under the eaves and picking coriander, perfectly harmonizing with the yellow earth behind her.
In 2022, the cheerful Chen started using her mobile phone to record her rural life with her husband - farming, cooking, and showcasing various authentic and unique Shanxi cuisine. She has over 200,000 followers on short video platforms.
Chen showcases her joyful life to tourists with a humorous tone and rich expressions, which earns her a lot applause. People are amazed by the resilience and optimism that have been passed down through generations on the lady living on the Loess Plateau.
71-year-old villager Li Yuecheng leads his donkey through Qikou's ancient town while singing local folk songs. He decorates his donkey and offers it to tourists for rides during the low season for agricultural production.
His powerful and vivid performance while singing folk songs always attracts a crowd. Village officials jokingly say that Li has earned a lot of money in the tourism industry with these skills over the years.
Tour guides, guesthouse owners, restaurant owners, performers... more and more villagers have gained "new identities" by relying on the mountains and rivers. Some like Yang have even moved back to their ancestral homes on the mountains from the town, hoping to live a better and bustling life through tourism.
The recovery of the tourism industry benefits largely from the local government's significant investment in protection of the area. In recent years, local authorities have carried out protection and restoration of historical buildings and ancient dwellings in the Qikou ancient town.
Today the ancient town has become a popular tourist attraction. More than 5,000 people out of a population of about 30,000 in the town are engaged in the tourism industry.
Over 1,000 ancient stone artifacts dating back to the Paleolithic era, also known as the Old Stone Age, spanning from 2.6 million years ago to 10,000 years ago, have been unearthed at the Xiacun archaeological site in North China’s Shanxi Province, according to a report by China News Agency on Tuesday.
The Shanxi Provincial Institute of Archaeology unveiled their latest findings on Tuesday, the report said, presenting a rich collection of stone tools and artifacts found at the Ganliang site within the Xiacun ruins, which has undergone several large-scale surveys and excavations since its discovery in 1970.
A total of 1,036 stone artifacts were unearthed at the Ganliang site, with 853 belonging to the lower cultural layer and 183 to the upper cultural layer.
The stone artifacts document two developmental stages within the site’s Paleolithic culture: the lower cultural layer represents the earlier phase characterized by stone technology from lithic to microlithic, while the upper cultural layer showcases advanced microlith technology.
The archaeological findings revealed that raw materials for crafting these stone tools primarily included flint and quartzite. Quartzite and black flint were the main materials in use across the upper and lower cultural layers, with quartzite obtained locally near the Ganliang site and black flint sourced from a more distant location.
Notably, in the lower cultural layer, local quartzite was the predominant raw material.
In terms of the lithic technology, the lower cultural layer featured a direct hard-hammer percussion technique without evidence of pre-formed lithic cores, resulting in diverse and less standardized tool shapes. Some specimens bore a resemblance to microlithic blades.
The upper cultural layer employed both direct hard-hammer percussion to detach stone flakes and a pressure technique to extract microlithic blades, suggesting a more refined approach in the late Paleolithic era.
Furthermore, the tool assemblages in the lower and upper cultural layers differ significantly. Heavy tools like stone axes were absent in the upper cultural layer, indicating functional distinctions between the two layers around 30,000 years ago.
Round-edged stone scrapers in the lower cultural layer were primarily manufactured through direct hard-hammer percussion, while in the upper cultural layer, a pressure technique was predominantly used.
These discoveries have enriched the understanding of China’s late Paleolithic cultures and provided valuable insights into the cultural transition and the origins of the microlithic blade technology of the late Paleolithic era, the report said.
Aiming at sharing China's experiences in cultural heritage conservation with the world, the 2023 World Expo on Cultural Heritage Conservation and Rehabilitation, a gala that highlights numerous A-list Chinese museums, will be held in Chengdu, Southwest China's Sichuan Province, starting from November 23.
The three-day expo includes five exhibiting areas with specified themes like "digital cultural relics," "intangible cultural heritage (ICH)" and "museums."
The star of the event is the "museum" section. It hosts top-notch cultural institutions like the Palace Museum in Beijing, the Sanxingdui Museum in Sichuan Province and also the Dunhuang Academy, a research-and-exhibition in one institution that has nearly 80 years of history in Northwest China's Gansu Province.
Xiang Xinshuang, a cultural heritage researcher in Shanghai, told the Global Times that these museums, with their vast collections, can reflect the "diversity and wide spectrum of Chinese cultural heritages."
"A cultural institution, the Dunhuang Academy, for example, doesn't just show relics, but also embodies the path and mindset that Chinese culturalists use to safeguard the country's cultural treasures," Li Liyang, a museum expert, told the Global Times.
More than 80 exhibitors worldwide will join the upcoming Chengdu cultural fair, Yu Houli, a staff member of one of the expo's organizers, the Shanghai Jiao Tong University Sichuan Research Institute (SJTUSRI), told the Global Times.
The fair will see the participation of cultural experts from countries such as France, Poland and Nepal. Yu revealed that Germany and Italy will be the two biggest overseas delegations at the expo, with participants such as the University of Florence and the German-Chinese Association of Artificial Intelligence (GCAAI).
Xiang told the Global Times that compared with the "liberal art" nature of many cultural exhibitors at the event, the natural science-oriented participants like the Polytechnic University of Turin may bring "a new multi-discipline twist to China's cultural heritage conservation."
"It also reflects the trending approach to integrate technology, engineering and digital means into the cultural heritage conservation field. Such an international expo provides abundant opportunities for cross-subject collaboration between China and overseas," Xiang remarked.
The "diversity" of participants does not only reflect their mixed cultural backgrounds, but also participants' professions. Other than scholars, the event also embraces intangible cultural inheritors, architectural studios, and cultural tourism professionals and veterans in the cultural creative industry.
Besides the exhibition section, the Chengdu expo will host over 16 events, including forum discussions stressing subjects like the "Central Axis of Beijing" and "new technologies and materials for conserving ancient buildings," as well as a forum that invites ICH inheritors to share their experiences with each other.
Instead of choosing Chinese mega cities like Beijing and Shanghai, the event has landed in Chengdu, one of Southwest China's most cultural enriched cities. Yu described Chengdu as a "rising star" that contributes to the Chinese cultural economy, especially cultural tourism.
"Because of Chengdu's potential, the event will also be held in 2024 and 2025 in the city," the SJTUSRI staff member told the Global Times.
Including SJTUSRI, the 2023 World Expo on Cultural Heritage Conservation and Rehabilitation is hosted by several organizers like the Sichuan Provincial Cultural Heritage Administration, China Association for Conservation Technology of Cultural Heritage and the China Foundation For Cultural Heritage Conservation.
The event will be held at Chengdu's Western China International Expo City and is scheduled to end on November 25.
Emirati Astronaut Sultan AlNeyadi's mission will continue after his return to Earth to benefit from the scientific experiments he participated in during his six-month mission on board the International Space Station (ISS), according to Mohammed bin Rashid Space Centre (MBRSC).
During a virtual news conference today, coinciding with the undocking of the Dragon Spacecraft from the ISS, Salem Humaid AlMarri, Director-General of MBRSC, stated that Sultan AlNeyadi, along with his Crew-6 crewmates, began their journey back to Earth, adding that their spacecraft is projected to touchdown off the coast of Tampa, Florida in the Gulf of Mexico on Monday morning,
AlMarri explained that one of the MBRSC's teams will focus on the safety of the astronauts and their medical rehabilitation to return to normality, which will take a few weeks. He noted that another team will focus on the scientific experiments, while the administrative team will focus on the nature of the mission, administrative and organisational matters, as well as handling discussions with various parties.
Following the undocking, if necessary, a series of orbit-lowering manoeuvres, known as phasing burns, will be executed on the spacecraft to align its ground track with the targeted landing location. Before initiating the deorbit burn, the flight computer will jettison the spacecraft's trunk, a step crucial for reducing its mass and conserving propellant. This will pave the way for the spacecraft's deorbit burn, scheduled to last for 12 minutes.
Upon completion, as the spacecraft re-enters Earth’s atmosphere, it will encounter significant heating and drag, effectively reducing its velocity to a safe point suitable for parachute deployment. At an altitude of 18,000 feet, two drogue parachutes will be deployed, quickly followed by the release of four main parachutes at approximately 6,500 feet. Under the steady guidance of these four main parachutes, the spacecraft is projected to make a gentle splashdown at a speed of 25 feet per second off the coast of Tampa, Florida in the Gulf of Mexico on September 4.
The UAE Astronaut Programme is one of the projects managed by MBRSC under the UAE’s National Space Programme and funded by the ICT Fund of the Telecommunications and Digital Government Regulatory Authority (TDRA), which aims to support research and development in the ICT sector in the UAE and promote the country’s integration on the global stage.
